الاستمتاع بالرحلة الفردية

 

(Cosmic Analog Ensemble is the project of prolific Lebanese music producer and multi-instrumentalist Charif Megarbane, a one-man musical force who writes, performs and produces all of its creative output. With a DIY music ethos, Megarbane has crafted an inimitable style of instrumental music, a melting pot of global sounds that effortlessly glides between 1960s Italian library music, Middle Eastern psychedelia, afro-beat and hip-hop breaks).

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深淵の中で眠っている

 

(Shelling is a Dream Pop/Shoegaze duo from Tokyo, Japan, formed by Aya (vocals, guitar, synthesizer) and Shota (guitar, synthesizer).

 

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Langsames Atmen in schlaflosen Nächten

 

(Bohren & Der Club Of Gore is a German band founded in 1992 in Mülheim an der Ruhr. The band was formed by members of various grindcore/hardcore and death/doom metal bands. In their search for a "unique sound", they started to play what they call "Doom Ridden Jazz Music".

 

Initially the band was called "Bohren". In 1993, the name was expanded to "Bohren & Der Club of Gore" as a link to the Dutch band Gore, which inspired Bohren to play instrumental music).

 

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Autumn afternoons by the sea

 

(Flying Saucer Attack is an experimental space rock band that formed in Bristol, England in 1992. David Pearce was the core member of the group, and Rachel Brook (of Movietone, another Bristol band) was a member for most of the band's lifetime. 

 

The band were marked by quiet vocals and sheets of feedback with similarities to contemporary shoegazing bands, or The Jesus and Mary Chain. FSA were able to create a small but enthusiastic fanbase as one of the more remarkable experimental bands of the day. The band were notable for recording most of their output at home into a normal home stereo system, avoiding recording studios as much as they could. This gave their music a DIY feel and gave them the freedom to experiment as much as they wanted).

 

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Haunted by ghosts

 

(Nothing is a Shoegaze/Alternative band from Philadelphia, PA, formed in 2010 by Aaron Heard, Brandon Setta, Domenic Palermo and Kyle Kimball).

 

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Проявления невидимой природы

 

(Gnoomes is a Shoegaze/Experimental/Psychedelic band from Perm, Russia, formed by Dima Koniushevich, Masha Piankova, Pasha Fedoseev and Sasha Piankov).

 

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Melodier för resenärer i tiden

 

(Death And Vanilla is an Experimental/Alternative/Psychedelic band formed in Malmö, Sweden by Marleen Nilsson and Anders Hansson; they use vintage musical equipment such as vibraphone, organ, mellotron, tremolo guitar and Moog, to emulate the sounds of 60s/70s soundtracks, library music, German Krautrock, French Ye-ye pop and 60s psych).

 

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Tанцы, чтобы принести мир

 

(Otto Dix is an electro darkwave band from Khabarovsk, Russia. The band was formed in 2004 by Michael Draw and Marie Slip).

 

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Muinaisia ​​rituaaleja jäätyneissä metsissä

 

(Dark Buddha Rising is a Finnish Psychedelic/Drone/Sludge/Doom Metal band from Laitila, founded in 2007, formed by Vesa Ajomo (guitar, vocals), Petri Rämänen (bass, percussion),  Jukka Rämänen (drums, keyboards), Jussi Saarivuori (keyboards) and Marko Neuman (vocals).

 

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Brücken schlafen unter dem Eis

 

(Bohren & Der Club Of Gore is a german band founded in 1992 in Mülheim an der Ruhr. The band was formed by members of various grindcore/hardcore and death/doom metal bands. In their search for a "unique sound", they started to play what they call "doom ridden jazz music".

 

Initially the band was called "Bohren". In 1993, the name was expanded to "Bohren & Der Club of Gore" as a link to the Dutch band Gore, which inspired Bohren to play instrumental music).

 

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The deconstruction of the imperishable

 

(A Place To Bury Strangers is a three piece New York based noise rock/shoegaze band, formed by Dion Palmer, Lia Braswell and Oliver Ackermann, who is also famous for his manufacturing of infamous guitar noise pedals used by Lightning Bolt, Serena Maneesh, Wilco, Spoon and TV on the Radio, among others).

 

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Ljudatmosfärer i evig kontinuum

 

(Death And Vanilla is an Experimental/Alternative/Psychedelic band formed in Malmö, Sweden by Marleen Nilsson and Anders Hansson; they use vintage musical equipment such as vibraphone, organ, mellotron, tremolo guitar and Moog, to emulate the sounds of 60s/70s soundtracks, library music, German Krautrock, French Ye-ye pop and 60s psych).

 

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Ääretön terroritila

 

(W424 is an Industrial project from Lappeenranta, Finland, leade by Lasse Alander; musician/producer/visual artist with a long history starting with extreme metal and moving on to industrial music, most notably as one half of Cardinal Noire and as a contributor to Protectorate and Thyjä.

 

W424's current approach to music could be described as sculpted noise, operating on intuition and dream logic. A semblance of song structure is retained, tonal and atonal combined and contrasted. Utilizing modular synthesis, guitar and bass, the modern DAW and the human voice. Pitch black darkness but with fleeting glimpses of illumination).

 

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Cчитать далекие звезды

 

(Gnoomes is a Shoegaze/Experimental/Psychedelic band from Perm, Russia, formed by Dima Koniushevich, Masha Piankova, Pasha Fedoseev and Sasha Piankov).

 

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Perdeleri gökyüzüne fırlat

 

(Altın Gün is a Dutch Amsterdam-based project founded in 2016, mixing Turkish folk, psychedelia, funk and rock. The band is formed by Jasper Verhulst (bass), Ben Rider (guitar), Merve Dasdemir (vocals), Erdinc Yildiz Ecevit (vocals, saz, keys), Gino Groeneveld (Percussion) and Daniel Smienk (drums).

 

Altin Gün ("Golden Day") plays Turkish folk songs which were passed on from generation to generation on the one hand and a dirty blend of funk rhythms, wah-wah guitars and analogue organs on the other. Older generations of Turkish musicians have also experimented with opening doors between previously unconnected sonic worlds. During the seventies, artists such as Baris Manço, Selda Bağcan and Erkin Koray practiced a way of songwriting and composing similar to Altin Gün’s. They took the music played during the festive occasions and serious formalities of their childhood, folk songs backed by a traditional Turkish string instrument called the saz. To this, they added the techniques and vibes of their times and the result then went on to become a distinct Turkish sound during 1972-1977 which even today still sounds rich, danceable and heavily mind bending. 

 

Manço, Bağcan and Koray have all influenced Altin Gün, but their foremost inspiration is Neşet Ertaş, a Turkish folk musician whose musical legacy is invaluable. Comparisons are almost impossible to make but imagine someone with the same impact and status as Bob Dylan or George Gerschwin and you’re getting close. Many of the songs he wrote have become standards in Turkey, national treasures which are cherished up until the present day. Altin Gün retain the lyrical and thematic structure of Ertaş’s songs, though they often alter their time signatures and add fuzzy bass sounds, sweltering organ sounds and raw saz riffs. Ertaş wrote the majority of the songs on the album even if these are hardly recognisable after all the work Altin Gün have done on them. 

 

In 2019 they were nominated for a Grammy for their album Gece in the category "Best World Music Album").

 

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