Blessing of the unblessed

 

(Dead Cross is an Experimental/Math/Hardcore band formed by Dave Lombardo (drums), Justin Pearson (bass), Michael Crain (guitar), and Mike Patton (vocals)). 

 

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Bandcamp

Noise over rain city

 

(Juno was an Alternative/Mathrock/Shoegaze band formed in Seattle, WA,  in 1995. They released two studio albums, disbanding in 2003.

 

The band was formed by Arlie Carstens, Gabe Carter, Jason Guyer and Greg Ferguson).

 

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Locked in a pain factory

 

(Chat Pile is Noise/Post Rock band from Oklahoma City, OK., formed by Raygun Busch (Vocals), Luther Manhole (Guitar), Stin (Bass) and Cap'n Ron (Yamaha DTXPLORER)). 

 

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Une métamorphose inattendue

 

(Sebkha-Chott is an experimental rock band from Le Mans, France, implying a mythology and a world (Ohreland) within all its actions (albums, shows, communications). The band is often listed in very different styles and categories: metal, jazz or fusion; mainly, Sebkha-Chott is compared to Frank Zappa, Magma, Mr Bungle and Fantômas.

Mocking categorization, they pretends playing self-proclamated musical styles: Mekanik Metal Disco (until 2008), Abstract Low Coast Hip Hop/Concrete Violence/AvantPorn Mekanik Metal (from 2009), often condensed in: Bizarre AvantPorn Mekanik TheaterCore (since 2012).

Actually the band is formed by Wladimir Ohrelianov II (vocals, guitar, bass, programming), Souv' Ponk (voice, programming, saxophone) and Yüla Slipovitch (voice, drums, programming)).

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Astros reflétés à Massada

 

(Nils Cheville and The Dansant is an Experimental/Mathrock/Avant Garde band from Clermont- Ferrand, France, leaded by superb guitarist Nils Cheville (Corpo-Mente, Pryapisme, Senoys), togheter Antony Miranda (bass), Anne Quillier (moog, keyboards, vocals), Benjamin Bardiaux (keyboards), Rémi Faraut (drums)).

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Surfer sur fond de micro-ondes cosmique

 

(Nils Cheville and The Dansant is an Experminental/Mathrock/Avant Garde band from Clermont- Ferrand, France, leaded by superb guitarist Nils Cheville (Corpo-Mente, Pryapisme, Senoys), togheter Antony Miranda (bass), Anne Quillier (moog, keyboards, vocals), Benjamin Bardiaux (keyboards), Rémi Faraut (drums)).

 

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Searching for serial killers

(Fantômas is an American metal supergroup, formed in 1998 in California. It features vocalist Mike Patton (Faith No More, Mr. Bungle), drummer Dave Lombardo (ex-Slayer), guitarist Buzz Osborne (Melvins) and bassist Trevor Dunn (Mr. Bungle, Tomahawk). The band is named after Fantômas, a supervillain featured in a series of crime novels popular in France before World War I and in film, most notably in the 60s French movie series).

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Douze traités sur ce qui est à venir

(Pryapisme is an experimental/grindcore/freejazz/avantgarde/noisewall/grindcore/whatever french band, started in Clermont-Ferrand, France, with Ban Bardiaux and Aymeric Thomas in 2000 during high school. Aymeric played drums on Ban's classical piano songs then they were joined by two friend musicians: Simon Gastaud on bass (who would later play in the band Format) and Jack Bardiaux, Ban’s brother, on guitars).

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Guérison totale de la dysfonction érectile

(Sebkha-Chott is an experimental rock band from Le Mans, France, implying a mythology and a world (Ohreland) within all its actions (albums, shows, communications). The band is often listed in very different styles and categories: metal, jazz or fusion; mainly, Sebkha-Chott is compared to Frank Zappa, Magma, Mr Bungle and Fantômas.

Mocking categorization, they pretends playing self-proclamated musical styles: Mekanik Metal Disco (until 2008), Abstract Low Coast Hip Hop/Concrete Violence/AvantPorn Mekanik Metal (from 2009), often condensed in: Bizarre AvantPorn Mekanik TheaterCore (since 2012).

Actually the band is formed by Wladimir Ohrelianov II (vocals, guitar, bass, programming), Souv' Ponk (voice, programming, saxophone) and Yüla Slipovitch (voice, drums, programming)).

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Come to my church, my dear friends...

(Dead Cross is an Experimental/Math/Hardcore band formed by Dave Lombardo (drums), Justin Pearson (bass), Michael Crain (guitar), and Mike Patton (vocals)). 

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In the church of Bela Lugosi

At last the future has been cancelled.

(Dead Cross is a hardcore band formed by Dave Lombardo (drums), Justin Pearson (bass), Michael Crain (guitar), and Gabe Serbian (vocals) in late 2015. Serbian departed the group in 2016 while they were recording in order to focus on his family. Lombardo was able to recruit remarkable vocalist Mike Patton to replace him and the group's debut album was released in August of 2017). 

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Bloc auriculo-ventriculaire par sténose aortique bilatérale

Night of total metamorphosis.

(Pryapisme is an experimental/grindcore/freejazz/avantgarde/noisewall/grindcore/whatever french band, started in Clermont-Ferrand, France, with Ban Bardiaux and Aymeric Thomas in 2000 during high school. Aymeric played drums on Ban's classical piano songs then they were joined by two friend musicians: Simon Gastaud on bass (who would later play in the band Format) and Jack Bardiaux, Ban’s brother, on guitars).

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Throwing up in a black hole

Sounds travelling beneath the event horizon.

(Heptaedium’s musical madness could be placed somewhere between Djent forefathers Meshuggah, Breakcore-Hero Igorrr, Master Plumber Super Mario and French Baguettes. This band is an artificial child of a world in ruins, maintained in its artificiality by multinationals trying to conquer space. Shaped by technology, it has implanted genes of Strapping Young Lad, Vildhjarta or Master Boot Record; out of his infected incubator, the metal cold as death, the kid is a creature in the image of his time. An offshoot more human, with the body that jerks and the mouth that opens on a precipice. His song is destructured, icy, purely technical. One listens to it with the impression of hearing a machine scream, a creeping snake, an indefinite form moving forward by jerks).

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Le félin envoyé de l'enfer est né

Chords emerged from hell in stochastic form.

(The band started in Clermont-Ferrand, France, with Ban Bardiaux and Aymeric Thomas in 2000 during high school. Aymeric played drums on Ban's classical piano songs then they were joined by two musicians : Simon Gastaud on bass (who would later play in the band Format) and Jack Bardiaux, Ban’s brother, on guitars. To rehearse, the band found a good place in Aymeric’s mum cattery, among around 30 cats who often pissed on their amplifiers and bassdrums. In their hometown, they had a solid reputation for being a band that smelt like cat piss and ammonia. Which was true.

For many years, the band played a bunch of gigs in France until the release of their very first listenable demo "Pump up the pectine" in 2005. 

Then, Nicolas Sénac on guitars and Alex Peronny on bass/cello joined the band. The band was featured on the Ulver Tribute "My own wolf" (on Aspherical Asphyxia/Cold Dimensions Records) in 2007.

They worked for 4 years to produce the first full-lenght album "Rococo Holocaust" in 2010, mostly composed by the pianist Ban. The album was mastered by Tom Kvalsvoll from Strype Audio in Oslo, Norway. Alex left Pryapisme soon after, and the band continued for 3 years as a trio. They also recorded a music soundtrack ordered for the videogame documentary "Tournament of Legends". 

The years 2012/2013 were a turning point : they moved from their rehearsal room to another place, still in the cattery but in a safe zone (i.e. without cats). Since then, Aymeric has been handling most of the composing and arrangements with computer softwares. They turned their place into a bigger home-studio to record the instrument tracks and to rehearse. The "Plimptphlymst Studio" is now cat-proof and better equipped !

In 2012, they also met Simon Capony, the sound-engineer from Basalte-Studio who has mastered most of their releases since then.

Thanks to "Rococo Holocaust", the band was contacted by Apathia Records and signed their first record deal.

In 2013, they released their second album "Hyperblast Supercollider" and a tape of chiptune music from their two first albums "Blastbit Rococollider" in 2014. A first musicvideo came out : "Un druide est giboyeux lorsqu'il se prend pour un neutrino". It made over a million views on YouTube before being removed due to less than a second of nudity content.

Soon after, Nils Cheville on guitars and Antony Miranda on bass/guitars/moog joined forces for live gigs. Pryapisme played for the first time outside of France. Since then, the band has been a five-headed monster.

2 EPs later, "Futurologie" (one long 23min track - Apathia Records in 2015) and "Repump the pectine" (re-arrangements of their first demo EP - self-released in 2016), they produced their third album : "Diabolicus Felinae Pandemonium" (still on Apathia in 2017) after 17 years of existence).

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Orkiestra końca czasów

Static bodies waiting for pain.

(Armia is Polish punk rock and hardcore punk music band founded in 1985 by Tomasz Budzyński, Sławomir Gołaszewski and Robert Brylewski. Armia is famous for its use of horn, which was unusual of punk rock bands in late 1980s and 1990s. With poetic (often inspired by philosophy and literature) lyrics, written by Budzyński, and evolving, creative music Armia has gained popularity and respect over the years, and its concerts now attract numerous fans of rock music).

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Tomorrow the power will be ours

Social complexities are being unwound as corrupt are eliminated from the power spheres.

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Burning Noisy Coal (Repost)

Raging noisy album from this interesting band, now featuring as special guest Mr. Patton (the same all we know); entirely instrumental except for Patton's occasional vocals, this record veers alternately from free jazz and punk, to sheer metal, math, and hair-raising noise. To hell with the ear ciliated epithelium.

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Three Horsemen of the Invisible (Repost)

This album is suffused with oddly cinematic sounds that frustrate all preconcieved notions of what "contemporary" music should sound like - for instance, no lyrics. The whole frontman idolatry cult could not possibly exist here. The group has been transmuted: base lead vocals into golden instrumentation. Driving, disjointed breakbeats, ripping melodic sitar/guitar, traditional middle-eastern folk music gone metal, drifting electronic miasma, violin/cello/viola that lend a graceful cohesiveness (modified from hE@D magazine)

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