Красиво, но мертво

 

(IC3PEAK are Nick Kostylev and Nastya Kreslina, both audiovisual artists based in Moscow (Russia). They create not music only but all the visual stuff also (photography, vj-ing, music videos, cover art & merch). Their music is a natural synthesis of analog and digital sound, deep bass, icy and sharp vocal and wailing of DIY synth in the background, while the visual part is full of noise and sugary glitch mixed with realistic and smooth minimalism).

 

 

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Trapped in oscillating bits

(Wahn is a Dubstep/Hyperdub one man project formed by Erwan Charier, musician and member of the Labtop Session association).

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A look beyond final frontiers

(Wahn is a Dubstep/Hyperdub one man project formed by Erwan Charier, musician and member of the Labtop Session association).

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The cohesion of hydrogen bonds

(Clubroot is a Dubstep/Hyperdub project formed by English Dj and Producer Dan Richmond The sound of Clubroot is an intense, deep and too dark electronic sound).

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Lower beats on earth

(Scorn is an english illbient/electronic project formed in 1991 as a side project of former Napalm Death members Mick Harris and Nik Bullen. In their early years Scorn was often associated with industrial and experimental music. After the departure of Nik Bullen in 1994, the music mostly offers minimalist beats with deep bass lines, often resembling dub and trip-hop/hyperdub in structure, as illbient). 

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A ghost into circuits

Dubbing in halloween's eve.

(Demdike Stare is an ambient/dub/experimental electronic english music project, that was conceived in 2009 and based out of Manchester. Demdike Stare was formed in by Sean Canty and Miles Whittaker, both of whom were already well-established in Manchester's music scene. Whittaker is also known for his work in Pendle Coven and under his solo projects, MLZ, Daughter of the Industrial Revolution, Suum Cuique, and Miles. Canty is a respected DJ and also known for his involvement with Finders Keepers, an archival label based in Manchester and London. Their mixtapes and albums incorporate a wide variety of influence from Jazz to Library Music, and Industrial. they have steadily shifted their sound and setup throughout the span of the project).

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Het koken van de ketters

Isolating the evil within rising.

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Reflections between grey clouds

Dizzying beats to cross the dense black atmosphere.

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The consequences of artificial intervention

A world dreams in human infestation.

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A wakeful time to hear beyond (Repost)

Mega grinding hyperbass dubstep to smash the air.

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Drying the Soil (Repost)

Great deep-ambient album, dubstep reaching another level beyond the conventions.

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Learning to learn, forgetting to forget (Repost)

Stormy dreams infecting the frontal cortex.

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A cloudy afternoon to face infinity (Repost)

Contemplating the vastness fluid clock ticking the cosmic time...

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Following the course of continental drift (Repost)

Ancient forgotten rhythms show me the way to pure wisdom knowledge.

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Destroying the solid wastes of a sad soul (Repost)

Bassy downtempo-ruled beats to forget the blues of the past.

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Symbiotic nature against humanity (Repost)

Fused heterokaryon-based organelles are ready to start the involution of mankind.

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A soul glued in void (Repost)

Watching the agonic forest falling apart in tiny screams.

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Talking in front a broken mirror (Repost)

Autumn days go by slowly as I talk to my inner world again and again...as in a palindromic script.

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Writhing like a burning moth (Repost)

Fighting against memories, converting your words in air-spreading decomposed ashes.

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Healing the wounds in hatred (Repost)

Husking the pain in sticky layers of treason. (A gift to my pal Canteropoulos, to complete the CRoot collection)

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