Howls from the catacombs of debauchery

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(NAKED are an English London based Industrial/Power Electronics duo (originally from Edinburgh), formed by Agnes Gryczkowska and Alexander Johnston, engaging with noise, industrial and extreme forms of electronic music).

 

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Bandcamp

Terror from the Ocean State

 

(Sightless Pit is an Industrial/Power Electronics project of duo Lee Buford (The Body) and Dylan Walker (Full of Hell) from Providence, RI. Buford and Walker are born collaborators, known for their ability to subvert musical expectations, transcend genre and plunge headlong into the unknown. The duo shares an affection for rhythm-based beat music, disparate electronic genres, dub, as well as darkly-hued atmospheric ambience).

 

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Geheimnisse von jenseits des Grabes

 

(Sühne Mensch is a German Industrial/Power Electronics project leaded by Michael Belletz (Architrav, Mnemonic); oscillating bass power, hissing noise rhythms, metal percussions form the basic framework, which is expanded in a variety of ways with dark synth-melodies and angst-frequencies).

 

 

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Looking across the future

 

(Pterygium is a one-man Dark Ambient/Noise/Industrial project founded by Henry Gillett, a mixed methodology artist currently living in Melbourne, Australia).

 

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The pain of loneliness

 

(Control is an Industrial/Power Electronics project from Santa Cruz, CA, formed by Thomas Garrison).

 

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À l'intérieur des conduits lacrymaux

 

(Yura Yura is a one-man Rhytmic Noise/Power Electronics/Industrial project from Dijon, France, leaded by Grégory Mousselle (Agya)).

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Eine Plage der Bitterkeit

(Stahlschlag is a german Industrial/ Power Noise project formed in 2006 by Nicole Rahlf and Sebastian Sünkler, performing a style as a mix of different music genres like Industrial, Noise and Ambient).

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Melting floods flowing

 

(Monolith started as an Electronic/Rhythmic Noise soloproject in 1997, formed by the Belgian electronic music veteran and producer Eric Van Wonterghem (ex-Klinik and member of Sonar and Insekt. 

Monolith goes further with his experimental sound which is a mixture from industrial, ambient and EBM sounds created with the latest technologies and mixed with lots of outboard analog gear. Repetitive loops, hypnotising electronic sequences and carrying rhythmics take you into a multi-coloured journey through electro and industrial landscapes while each time incorporating new exotic elements and using vocal samples and guest vocalists).

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In Wälder der Trostlosigkeit

(Haus Arafna is a minimalist power electronics/industrial group from Germany formed in 1990. It has two members, simply known as Mr. and Mrs. Arafna, both working together in November Növelet, and running the Galakthorrö label).

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Im ewigen Feuer geschmiedet

(Philipp Münch (Ars Moriendi, Cell Auto Mata, Monokrom, Synapscape, The Rorschach Garden) is a well known german composer, producer and musician involved in the Industrial/Rhythmic Noise/Experimental scene).

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Cold wolf kisses

(My Own Wolf: A New Approach To Ulver is a tribute to the Norwegian Band compiled and released by russian Aspherical Asphyxia Prod. label). ‎

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Blessed with secrets

(ESA was born in 2002 in order to cross the threshold from one genre of extreme music to another. Engineer of this electronic inferno, Jamie Blacker, up until this point had been writing music semi-professionally for years in the UK Black / Death metal circle, touring and recording alongside some of the genres elite.

Having decided to experiment in dark electronics, ESA’s heavy, rhythmic style has since become rooted at the forefront of the harsh industrial / power electronics scene, predominantly owing to slews of powerful and engaging live shows all over the globe and 7 well received, critically acclaimed albums.

Taking influences initially from rhythmical noise acts, Blacker’s sound structures have developed and integrated countless influences from the broad spectrum of alternative and extreme music. The tone of ESA is harsh and oppressive, dripping with destructive and corroded grooves whilst still emanating deep melody and a strong sense of spirituality. ESA’s compositions are undoubtedly threatening and offensive floor stomping club tunes but also twist and churn enough to reward more attentive listening). 

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Flüge des Todes

(Post Scriptvm is a Russian-American industrial music act based in New York City. They have been active since 1998. Full names and personal details of the members are not publicized, and the band does not maintain social media presence.

The musical style of Post Scriptvm is rooted in the dark ambient, old school industrial, and experimental genres ranging from eerie, hypnotic soundscapes to focused industrial noise assaults, often within a single track. The project does not use computer-based software synthesizers or drum machines, preferring analog synthesizers, samplers, scrap metal percussion, field recordings, traditional acoustic instruments, as well as various analog and digital hardware effects).

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A choir of victims of eternal doom

(Prurient is Dominick Fernow, a german multimedia noise/industrial artist currently residing in New York).

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Burn down the hell

(Orphx have been developing their fusion of hypnotic rhythms and experimental noise for over twenty years. Using modular and analog synthesizers, software, location recordings and feedback circuits, Rich Oddie and Christina Sealey draw upon the darker, psychedelic fringes of techno and electro, and combine these elements with the experimental aesthetics and themes of early industrial music. JK Flesh is an industrial/noise project/alias of Justin Broadrick of Godflesh, Final and Jesu).

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Activating violent artifacts

(Hjärnkultur is an industrial/noise duo formed by C. Engvall and V. Eriksson, hailing from Stockholm, Sweden).

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Ruins of forgotten wars

(Alberich is a solo industrial/power electronic/noise project of Kris Lapke (Bronze Age, Furisubi,  Louder Than Life)).

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The rage of Mahakala

(Tara In Tibet is a solo ritualistic industrial project of italian musician Alessio de Felice (founder of  She Lost Kontrol label, aka Dj $LUSG£)).

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Black mechanical rituals

Fourteen hymns to the eternal obscurity.

(Maschinenzimmer 412 (currently known as Mz.412) are the inventors of the so called "black industrial", a dark and haunting music which mixes industrial noise, ritual ambient and black metal atmospheres. The mastermind behind the project is Henrik Nordvargr Björkk, aided by different people with each release). 

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Last noise-machines attack

The sky is turning black under the grinding machines.

(Maschinenfest is a yearly, three-day underground music festival in Germany, featuring industrial, power electronics, noise and other alternative electronic performers. There are both independent and signed bands who are booked to play, as well as many vendors for music and related paraphernalia. Featured record labels and noteworthy companies include: Ant-Zen, Hands Productions, Pflichtkauf, Spectre Records and Ad Noiseam. This is the last year fest compilation made by Pflichtkauf Label) 

Here CD1

Here CD2