Красиво, но мертво

 

(IC3PEAK are Nick Kostylev and Nastya Kreslina, both audiovisual artists based in Moscow (Russia). They create not music only but all the visual stuff also (photography, vj-ing, music videos, cover art & merch). Their music is a natural synthesis of analog and digital sound, deep bass, icy and sharp vocal and wailing of DIY synth in the background, while the visual part is full of noise and sugary glitch mixed with realistic and smooth minimalism).

 

 

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Illuminated by black lights

 

(Bowery Electric is a Indie Rock/Shoegaze band founded in New York in 1994, formed by Lawrence Chandler and Martha Schwendener).

 

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النبوءة تأتي مع المطر

 

(Raed Yassin (Beirut, 1979) is a Lebanese video, sound and visual artist, also works as a musician: (double bass, tapes and electronics), and a part-time curator. Graduated from the Theatre Department in the Lebanese University in Beirut, he works with image, music, text and concept. His work based on themes related to the media, the city, the history of contemporary art, arabic cinema, pornography, pop culture, disasters, and archives. Currently he lives and works in Amsterdam).

 

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Poems on madhouse walls

 

(Petbrick is a Noise/Industrial project by Iggor Cavalera (Mixhell, Cavalera Conspiracy, Soulwax, Sepultura) and Wayne Adams (Big Lad, Death Pedals, Johnny Broke)).

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Bevendo gli effluvi degli inferi

 

(Ovo are an Italian Avant Garde/Noise Rock/Experimental band based in Ravenna, formed in 2000 by Stefania Pedretti and Bruno Dorella).

 

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Ar feadh oíche gan ghealach

 

(Hilary Woods is an Irish music and visual artist from Dublin's Northside. Former bass player in JJ72 from 1996 until 2003, now releasing work as a solo artist; after a spell in fine art school and having studied literature and film in college, she returned to music.

 

Woods' solo albums have a gentle, ambient folk sound with "nocturnal keyboard-based songs". Her musical inspiration comes from filmmakers, electronic artists, experimental noise, and Irish folk music traditions).

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Racconti di terrore dalla penisola

 

Nora Orlandi (1933), is an Italian singer, composer and pianist. She is also known for having founded and directed the vocal group I 4 + 4 Di Nora Orlandi, among others; also she is the author of some very strange psychedelic Giallo soundtracks as Il Dolce Corpo di Deborah or Lo strano vizio della Signora Wardh, to name a few).

 

Alessandro Alessandroni (1925, Rome, Italy - 2017, Rome, Italy) was an Italian composer, arranger, vocalist, whistler, conductor and multi-instrumentalist (guitar, sitar, keyboards, mandolin, mandocello, accordion, banjo, flute, harmonica, jew's harp, recorder, melodica and ocarina). He was the founder of the vocal ensemble I Cantori Moderni di Alessandroni. Husband of Margaret Courtney-Clarke. Previously married to Giulia Alessandroni (Kema) until her death in 1984.

Also collaborated with his childhood friend Ennio Morricone on a number of soundtracks for Spaghetti Westerns. Morricone's orchestration often calls for an unusual combination of instruments, voices, and whistling. Alessandroni's twangy guitar riff is central to the main theme for The Good, the Bad and the Ugly. Alessandroni can be heard as the whistler on the soundtracks for Sergio Leone's films, including A Fistful of Dollars, For a Few Dollars More, Once Upon a Time in the West, and Pervirella. He also collaborated with Morricone in scoring the 1974 film Around the World with Peynet's Lovers.

 

He founded the octet vocal group I Cantori Moderni in 1961. The group, which included his wife, Giulia De Mutiis, performed wordless vocals on several Italian movie soundtracks. Most notably, I Cantori Moderni are featured on the song "Mah Nà Mah Nà", written by Piero Umiliani for the 1968 Luigi Scattini mondo film Svezia, inferno e paradiso and popularized on The Muppets Show.

Alessandro has also composed film scores, including Any Gun Can Play (1967), Johnny Hamlet (1968), The Reward's Yours...The Man's Mine (1969), Lady Frankenstein (1971), The Devil's Nightmare (1971), The Mad Butcher (1971), Seven Hours of Violence (1973), Sinbad and the Caliph of Baghdad (1973), Poker in Bed (1974), White Fang and the Hunter (1975), Blood and Bullets (1976), L'adolescente (1976), La professoressa di scienze naturali (1976), The Opening of Misty Beethoven (1976), Women's Camp 119 (1977), Killer Nun (1978), L'imbranato (1979), and Trinity Goes East (1998).

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Welcome back to the never forgotten

 

(Sonic Youth is an American rock band based in New York City, formed in 1981. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, and rounded out the core line-up. 

The band emerged from the experimental no wave art and music scene in New York before evolving into a more conventional rock band and becoming the most prominent of the American noise rock groups. Sonic Youth have been praised for having "redefined what rock guitar could do" using a wide variety of unorthodox guitar tunings and preparing guitars with objects like drum sticks and screwdrivers to alter the instruments' timbre. The band is considered to be a pivotal influence on the alternative and indie rock movements). 

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Walking alone through the open grooves

 

(Peel Dream Magazine is actually a Shoegaze/Post Punk/Post Rock one-man project from New York, formed by Joe Stevens (Vocals, Guitars, Organ, Synth, Drones, Drum Machine)).

 

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In search of nostalgia

 

(Germ Class is an otherworldly blend of Experimental/Shoegaze/Psych/Post Punk from Los Angeles, CA, formed by Peter Kris (vocals, instruments), Norm Heston (programming) and Stephanie Chan (vocals)). 

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Paddling in absolute darkness

 

(Somatic Decay is a Death/Experimental/Industrial duo from Portland, OR, formed by Ryan Koger (vocals, drums) and Nate McCleary (guitar, bass)).

 

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Severe brain implosion

 

(MOP is a Noise/Alternative/Shoegaze band from Portland, OR, formed by Moira Brown, Samuelito Cruz, Mikey Rivera and Brian Smith).

 

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Pochwała szaleństwa

 

(Brúsit is a Post Punk/Noise prject from Szczecin, Poland).

 

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Dialogue with Mother Nature

 

(Lacing is a Shoedrone/Heavygaze band from Chattanooga, TN, formed by Jerry Reed, Joseph Davenport, Joseph J Micolo III and Robert Parker).

 

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Melodie per la seduzione

 

(She Had A Taste For Music (Rare Gems From The Italian Erotic Archive) is an Italian Jazz/OST/Easy Listening compilation made by Dagored, an Italian-based label based near Florence that now focus on movie soundtrack reissues).

 

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Poems for a rainy day

 

(Shordy is an expansive amalgamation of fuzzed out post-punk, field recordings, bedroom pop, and garage rock. Led by Trevor Coleman (Caribbean Health, Forget the Times), 2070 is a Los Angeles based four piece, playing together over the past two years, rounded out by Khari Cousins (guitar), Tchad Cousins (bass), and Rogers DeCoud (drums). Their music takes the listener on an eclectic journey, blurring lines between genres, impossible to pin down to one specific sound, while still having a comforting cohesion throughout; catchy melodies collide with tape fuzz and post-punk angst). 

 

 

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Willkommen auf der Kuriositätenmesse

 

(Peter Thomas was a German composer and arranger, born 1st December 1925 in Breslau, Silesia (today Poland) and came a little later to Berlin, where he remained up to his beginnings as a film musician. He wrote a lots of soundtracks for movies and television series. His music oscillates between easy listening/lounge and electronic/space-age styles. The musician is abroadly well known as director of the incredible musical group The Peter Thomas Sound Orchestra. He died 17th May 2020 in Lugano, Switzerland).

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Doft av gamla skogar

 

(Merit Hemmingson (born August 30, 1940) is a Swedish organist, composer and singer; she became famous in the late 1960's for her modern pop arrangements of Swedish folk music).

 

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Stroking postsynaptic excitatory potentials

 

(Medicine is an american LA based noise-rock band which was formed in 1991 and led by veteran musician Brad Laner (also of Steaming Coils, Debt Of Nature, Savage Republic and solo project Electric Company). The band is formed by Brad Laner (Guitars, Programming), Shannon Lee (Vocals)and Jim Goodall (Drums)).

 

 

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Locked in a pain factory

 

(Chat Pile is Noise/Post Rock band from Oklahoma City, OK., formed by Raygun Busch (Vocals), Luther Manhole (Guitar), Stin (Bass) and Cap'n Ron (Yamaha DTXPLORER)). 

 

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Looking across the future

 

(Pterygium is a one-man Dark Ambient/Noise/Industrial project founded by Henry Gillett, a mixed methodology artist currently living in Melbourne, Australia).

 

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From the land of tortured waves

 

(Holy Scum is a Black/Experimental/Noise/Sludge English band from Manchester, UK; they are an improvised band featuring members of Gnod, Dälek, Schoolhouse and Shuck. Spending their first year locked in a room, they worked on playing together without compromising their individual styles, creating improvised music that is immediate yet familiar).

 

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Гимны для мальчиков кукурузы

 

(Messer Chups is a Russian surf band formed in Hamburg in 1998 and originally consisted of Oleg Gitarkin (bass) and Annette Schneider (synths). They had several member changes and in 2003, they invited Lydia Kavina - the most famous thereminvox-player and grand-niece of its inventor. 

 

As of 2016, Messer Chups is based in St. Petersburg, Russia and works as a trio consisted of Oleg "Gitaracula" Fomchenkov (formerly known as Oleg Gitarkin) on guitar, Svetlana "Zombierella" Nagaeva (formerly known as Zombi Girl) on bass and Dr. Boris (Boris Israel Fernandez) on drums)).

 

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Liebkosungen eines verwundeten Herzens

 

(Blanche Biau is a solo-project from Zurich, Switzerland. Influences of 80s wave and post punk with echoing hints of shoe gaze merge into a sad but dreamy sound, driven by simple drum beats and captivating basslines).

 

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Painting colors in the void

 

(Murrumur is a Experimental/Black/Shoegaze one-man projecti from Detroit, MI; his music is a rewritten and advanced form of shoegaze, blackgaze, and dream pop explcitly based around the use of assisted rhyhtm technologies and high speed drumming to very literally accelerate shoegaze as a genre. It uses walls of sound built from guitars and synths alike, with sounds manipulated and toyed with so intensely that the lines between analog and digital instrumentation become unclear).

 

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Nejezte ovoce z vesmíru

 

(Zdeněk Liška (1922 - 1983) was a Czech composer; he produced a large of number film scores across a prolific career that started in the 1950s. He was revelatory in his contribution to the development of electronic music. His music in this field is noticeable and dramatic, based on a unique musical feeling achieved through using quite unusual instrumental combinations and various electronic and electroacoustic techniques.

Liška worked notably with animator Jan Švankmajer, scoring several of his earlier short films: Punch and Judy (1966), Et Cetera (1966), Historia Naturae (Suita) (1967), The Flat (1968), Don Juan (1969), The Ossuary (1970), Jabberwocky (1971), and Leonardo's Diary (1972), and later The Castle of Otranto (1979). Liška's music for Švankmajer's Historia Naturae (Suita), The Flat, and The Ossuary was also featured in the 1984 short film by American animators the Brothers Quay entitled The Cabinet of Jan Švankmajer.

He also created a great number of iconic scores for important live-action films of the Czech New Wave including The Shop on Main Street, Marketa Lazarová, The Valley of the Bees, Fruit of Paradise, The Cremator and Ikarie XB-1).

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Ata köklerine sevgi

 

(Ersen was born as Ersen Dinleten on July 4, 1946, in a poor neighborhood in Istanbul, he became interested in music at an early age. His father (a hero according to Ersen) was interested in the violin, so Ersen learned to play his father's instrument — as well as mandolin and guitar — when he was child. Spending most of his time practicing, he also studied the art of singing and later found himself singing Turkish folk tunes at local meetings and wedding parties.

Playing and singing in many orchestras until the end of the '60s, Ersen's faith turned when he met Cem Karaca in person. A newborn star in Turkish rock scene, Karaca was managing Bunalimlar at the time and offered Ersen an opportunity to record. His first single, "Olvido - Ak Guvercin," was released in 1969 and featured hypnotic guitar work from Unol Buyukgonenc. A year later, Ersen replaced Aziz Azmet of Mogollar to lead the band. The collaboration was very short, as Mogollar headed to France, so Ersen joined forces with another Anadolu pop band, Uc Hurel. Ersen's early singles were mostly Spanish-influenced, but he later evolved into a unique blend of Turkish folk and Western progressive themes. His breakthrough single, "Kozan Dagi," was released in 1972. "Sor Kendine," released that same year, was an incredible show of talent, and it's still one of the pivotal points of his career.  

He later joined Mogollar once again, played with Kardaslar, and at last formed his well-known band Dadaslar. Being a group of talented musicians of the present scene, Dadaslar could never maintain a stable line-up; however, they supplied the necessary background for one of the most important figures in the Anadolu pop/rock scene. Ersen released "Cakmagi Çak," "Yine Seni Taninm," "Bir Ayrilik Bir Yoksulluk Bir Olum," "Uc Kiz Bir Ana," "Ne Sevdigin Belli Ne Sevmedigin," and "Ekmek Parasi," among other singles, until the end of 1978.

Following the tendency of the Turkish music market in the '80s Ersen laid aside his band and continued his career alone. Like the rest of his fellow Turkish musicians, he was also forced to choose a side in the political turmoil of the day. Despite trying not to reveal clear political beliefs, he was right wing-oriented, and after the Army took control of the government, he was disrespected by many musicians and fans. He played and recorded for the Army and the governmental media, TRT. 

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The battle for world peace

 

(Barry Gray (1908, Lancashire, England - 1984, Guernsey, Channel Islands) was a British musician and composer best known for his collaborations with television and film producer Gerry Anderson.

Born into a musical family, studied diligently and became a student at the Manchester Royal College of Music and at Blackburn Cathedral. He studied composition under the Hungarian born émigré composer Matyas Seiber.

In 1956 Gray joined Gerry Anderson's AP Films and scored its first marionette puppet television series, The Adventures of Twizzle. This was followed by Torchy The Battery Boy and Four Feather Falls, His association with Anderson lasted throughout the 1960s. Although best known for his score to Thunderbirds (in particular the "March of the Thunderbirds" title music), Gray's work also included the themes to all the other "Supermarionation" productions, including Fireball XL5, Stingray, Captain Scarlet and the Mysterons and Joe 90. 

Additionally, Gray is known as the composer for the Anderson live-action series of the 1970s, such as UFO and Space: 1999. His work in cinema included the scores to the Thunderbirds feature films Thunderbirds Are Go (1966) and Thunderbird 6 (1968), and the live-action science-fiction drama Doppelgänger (1969)).

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Descendre en quatre segments

 

(Ele Ypsis is the tortured child of distant artistic lovers that arises from the collaboration between French singer and composer Laure Le Prunenec (Öxxö Xööx, Igorrr, Corpo-Mente and Rïcin) and belgian composer and producer Stélian Derenne).

 

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Taking down in noise

 

(Ceremony is an Alternative/Post Punk/Shoegaze project from Fredericksburg, VA, formed by John Fedowitz, former member of Skywave. It was formed in 2005 with alternating band members.  Currently he shares the stage and recording studio with his wife, Sandra Fedowitz. 

 

In April 2021 they both became members of A Place To Bury Strangers, thus reuniting John with Oliver Ackermann, many years after their experience in Skywave).

 

 

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A world in empty words

 

(JK Flesh is an Illbient/Electronic/Noise project/alias of Justin Broadrick of Godflesh, Final and Jesu. An industrial point of view about scorn-like pathways). 

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Hayallerin köprüsünün altında

 

(Altın Gün is a Dutch Amsterdam-based project founded in 2016, mixing Turkish folk, psychedelia, funk and rock. The band is formed by Jasper Verhulst (bass), Ben Rider (guitar), Merve Dasdemir (vocals), Erdinc Yildiz Ecevit (vocals, saz, keys), Gino Groeneveld (Percussion) and Daniel Smienk (drums).

Altin Gün ("Golden Day") plays Turkish folk songs which were passed on from generation to generation on the one hand and a dirty blend of funk rhythms, wah-wah guitars and analogue organs on the other. Older generations of Turkish musicians have also experimented with opening doors between previously unconnected sonic worlds. During the seventies, artists such as Baris Manço, Selda Bağcan and Erkin Koray practiced a way of songwriting and composing similar to Altin Gün’s. They took the music played during the festive occasions and serious formalities of their childhood, folk songs backed by a traditional Turkish string instrument called the saz. To this, they added the techniques and vibes of their times and the result then went on to become a distinct Turkish sound during 1972-1977 which even today still sounds rich, danceable and heavily mind bending. 

Manço, Bağcan and Koray have all influenced Altin Gün, but their foremost inspiration is Neşet Ertaş, a Turkish folk musician whose musical legacy is invaluable. Comparisons are almost impossible to make but imagine someone with the same impact and status as Bob Dylan or George Gerschwin and you’re getting close. Many of the songs he wrote have become standards in Turkey, national treasures which are cherished up until the present day. Altin Gün retain the lyrical and thematic structure of Ertaş’s songs, though they often alter their time signatures and add fuzzy bass sounds, sweltering organ sounds and raw saz riffs. Ertaş wrote the majority of the songs on the album even if these are hardly recognisable after all the work Altin Gün have done on them.  

In 2019 they were nominated for a Grammy for their album Gece in the category "Best World Music Album").

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La symbolique de la mélancolie

 

(Dale Cooper Quartet And The Dictaphones is a French Dark/Improvised/Jazz, formed by Gaël Loison, Christophe Mevel, Arnaud Le Gall and Yannick Martin; 50's crooners singers, noisy guitars, atmospheric electronic and hypnotic jazz. All of these elements painted in monochrome black).

 

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Traces of a lonely past

 

(The Soft Moon is an Oakland, CA based Neo-Post-punk band founded by Luis Vasquez as a solo project in 2009).

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Une métamorphose inattendue

 

(Sebkha-Chott is an experimental rock band from Le Mans, France, implying a mythology and a world (Ohreland) within all its actions (albums, shows, communications). The band is often listed in very different styles and categories: metal, jazz or fusion; mainly, Sebkha-Chott is compared to Frank Zappa, Magma, Mr Bungle and Fantômas.

Mocking categorization, they pretends playing self-proclamated musical styles: Mekanik Metal Disco (until 2008), Abstract Low Coast Hip Hop/Concrete Violence/AvantPorn Mekanik Metal (from 2009), often condensed in: Bizarre AvantPorn Mekanik TheaterCore (since 2012).

Actually the band is formed by Wladimir Ohrelianov II (vocals, guitar, bass, programming), Souv' Ponk (voice, programming, saxophone) and Yüla Slipovitch (voice, drums, programming)).

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Fortellinger om mørke tider

 

(Distortion Six is a Norwegian Industrial/Noise project formed by Nichlas Schermann).

 

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A arte de ficar parado

 

(10 000 Russos is a Portuguese Shoegaze/Psychedelic/Post Rock band formed by João Pimenta and Pedro Pestana; the band tried out some avant garde experiments and finds them in magnificent, shamanic droning form).

 

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A manual to hate blondes

 

(Morricone Youth is a collective formed in New York City in 1999 with the mission statement of composing, re-interpreting, performing and recording only "music written for the moving image." With a repertoire of over 100 reinterpretations of film and television soundtracks and music production library recordings, the band performs with projections thematically dedicated to specific composers or film music genres in addition to composing and performing its own original live scores to old silent films, midnight movies, animations and shorts in theaters and art spaces. 

The band is formed by Brian Kantor, Dan Kessler, Devon E. Levins, Devon Goldberg, Greg O'Keeffe, Jefferson Rabb, John Castro, Kenny Shaw, Robert Conroy and Sami Stevens).

 

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Samen des Bösen säen

 

(Peter Thomas was a German composer and arranger, born 1st December 1925 in Breslau, Silesia (today Poland) and came a little later to Berlin, where he remained up to his beginnings as a film musician. He wrote a lots of soundtracks for movies and television series. His music oscillates between easy listening/lounge and electronic/space-age styles. The musician is abroadly well known as director of the incredible musical group The Peter Thomas Sound Orchestra. He died 17th May 2020 in Lugano, Switzerland).

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Symphonies pour la fin des temps

 

(Ele Ypsis is the tortured child of distant artistic lovers that arises from the collaboration between French singer and composer Laure Le Prunenec (Öxxö Xööx, Igorrr, Corpo-Mente and Rïcin) and belgian composer and producer Stélian Derenne).

 

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Rädsla för inre lidande

 

(Wychdoktor is a Swedish Pagan Tribal/Noise/Dark Ambient band formed by Ed Reeler, who explores themes of mythology, ritual, despair and isolation by experimenting with distorted drums, harsh synths and rhythmic noise).

 

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Songs for a cold reign

 

(Lisa Gerrard is an Australian musician, singer and composer who rose to prominence as part of the music group Dead Can Dance with music partner Brendan Perry. In addition to singing, she is an instrumentalist for much of her work, most prolifically using the yangqin (a Chinese hammered dulcimer.

 

Marcello De Francisci is a composer of Italo/Argentinean descent who provides music to the feature film, theatrical movie trailer, commercial, and interactive game industry. In 2006 he was awarded the G.A.N.G. award for best music score for Sony Computer Entertainment's "God of War"game.

His music has been used in major theatrical movie trailers such as "Avatar", "Prince Of Persia", "Monsters VS Aliens", "Seven Pounds", "Night At The Museum", "Mission Impossible III", "National Treasure", "The Guardian", "Hellboy" and Jet Li's "Hero" to name a few.

His recent collaboration with "Dead Can Dance" singer/composer Lisa Gerrard has awarded him credits as a composer on soundtrack scores for films such as "Balibo", "Tears Of Gaza", "Oranges & Sunshine", “Burning Man” and "Insight". Marcello co-scored the highly acclaimed film "Samsara", featuring stunning visuals set to an incredible soundtrack).

 

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Door onbekende portalen

 

(Dead Man's Hill is a Dark Ambient/Martial/Post-Industrial band from Belgium founded in 1998 by Bart Piette).

 

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Ready for takeoff

 

(Barry Gray (1908, Lancashire, England - 1984, Guernsey, Channel Islands) was a British musician and composer best known for his collaborations with television and film producer Gerry Anderson.

Born into a musical family, studied diligently and became a student at the Manchester Royal College of Music and at Blackburn Cathedral. He studied composition under the Hungarian born émigré composer Matyas Seiber.

In 1956 Gray joined Gerry Anderson's AP Films and scored its first marionette puppet television series, The Adventures of Twizzle. This was followed by Torchy The Battery Boy and Four Feather Falls, His association with Anderson lasted throughout the 1960s. Although best known for his score to Thunderbirds (in particular the "March of the Thunderbirds" title music), Gray's work also included the themes to all the other "Supermarionation" productions, including Fireball XL5, Stingray, Captain Scarlet and the Mysterons and Joe 90. 

Additionally, Gray is known as the composer for the Anderson live-action series of the 1970s, such as UFO and Space: 1999. His work in cinema included the scores to the Thunderbirds feature films Thunderbirds Are Go (1966) and Thunderbird 6 (1968), and the live-action science-fiction drama Doppelgänger (1969)).

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Das Ende von allem berühren

 

(Stahlschlag is a german Industrial/ Power Noise project formed in 2006 by Nicole Rahlf and Sebastian Sünkler, performing a style as a mix of different music genres like Industrial, Noise and Ambient).

 

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Lost into a spiral tunnel

 

(Coil was a pioneer band formed in London in 1983 by John Balance as a solo side project to Psychic TV, Coil developed into a full-scale musical group in 1984, when Balance cemented a partnership with Peter 'Sleazy' Christopherson. Christopherson had been a founder of Psychic TV and member of Throbbing Gristle. For over twenty years Coil would be at the forefront of European experimentalism and electronic music. 

John Balance (1962–2004) died tragically in an accident at his home on November 13th, 2004. Peter Christopherson decided that, with the passing of John Balance, Coil would not continue. Peter Martin Christopherson died 24 November 2010). 

 

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曇った午後の下を歩く

 

(Yuragi 揺らぎis a Japanese Shoegaze/Dream Pop band from Shiga, formed by Mirai Akita (vocals, guitar), Kantaro Kometani (guitar), Yusuke Suzuki (bass) and Yusei Yoshida (drums)).

 

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In the house of painly horror

 

(Hailing from Birmingham, Broadcast, formed of Trish Keenan (vocals), Roj Stevens (keyboards), James Cargill (bass), Tim Felton (guitar) and Steve Perkins (drums); Broadcast’s intimate experimental pop is fuelled with references to the work of the seminal BBC Radiophonic Workshop, Ennio Morricone or John Barry. Often associated with Stereolab in the early days, the sound of the band has developed considerably. Unfortunately, lead singer Trish Keenan died of pneumonia on 14 January 2011 at the age of 42).

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Au rythme du Sultan

 

(Cha-Cha Au Harem Orientica - France 1960-1964 is a French Easy Listening/Oriental compilation made by French Born Bad Records Label).

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