Ständiges Pulsieren von schwarzem Blut

 

(5F-X is a German one man Rhythmic Noise/Industrial project leaded by Mike Brun; it's a successor project of 5F_55 after half of the band left).

 

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Fortellinger om mørke tider

 

(Distortion Six is a Norwegian Industrial/Noise project formed by Nichlas Schermann).

 

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Das Ende von allem berühren

 

(Stahlschlag is a german Industrial/ Power Noise project formed in 2006 by Nicole Rahlf and Sebastian Sünkler, performing a style as a mix of different music genres like Industrial, Noise and Ambient).

 

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Erwachen unserer inneren Universen

 

(Greyhound is a German Rhythmic Noise project leaded by musician and producer Steffen Lehmann).

 

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Å leve uten hud

 

(Distortion Six is a Norwegian Industrial/Rhythmic Noise project formed by Nichlas Schermann).

 

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Alt er ute av kontroll

 

(Distortion Six is a norwegian industrial/noise project formed by Nichlas Schermann).

 

Here

Ruines d'une civilisation perdue

 

(Lith is a french Rhythmic Noise/Industrial/Tribal one man band created in 1996 by David Vallée, melting electronic distorted and tribal rythm, acting against vivisection, human violence acts, nuclear weaponry, war, genism, animal exploitations and earth pollution).

 

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The worst feelings in the worst year

 

(C/A/T is the main creative output for Crunch Pod label founder, Ben Arp (Corvx de Timor, Ice Out, Cative Six) . C/A/T began as an experimental electronic project and continued evolving until early 2005 when Arp settled on a hybrid of industrial and rhythmic noise as the main sound). 

 

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Ausrottung des menschlichen Virus

 

(Maschinenkrieger KR52 is a German Rhythmic Noise/Industrial solo-project leaded by Rico Weber).

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Navigieren gegen Tongeräusche

 

(Mono No Aware is the solo rhythmic noise project leaded by german musician Leif Künzel).

 

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À l'intérieur des conduits lacrymaux

 

(Yura Yura is a one-man Rhytmic Noise/Power Electronics/Industrial project from Dijon, France, leaded by Grégory Mousselle (Agya)).

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Eine Plage der Bitterkeit

(Stahlschlag is a german Industrial/ Power Noise project formed in 2006 by Nicole Rahlf and Sebastian Sünkler, performing a style as a mix of different music genres like Industrial, Noise and Ambient).

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Melting floods flowing

 

(Monolith started as an Electronic/Rhythmic Noise soloproject in 1997, formed by the Belgian electronic music veteran and producer Eric Van Wonterghem (ex-Klinik and member of Sonar and Insekt. 

Monolith goes further with his experimental sound which is a mixture from industrial, ambient and EBM sounds created with the latest technologies and mixed with lots of outboard analog gear. Repetitive loops, hypnotising electronic sequences and carrying rhythmics take you into a multi-coloured journey through electro and industrial landscapes while each time incorporating new exotic elements and using vocal samples and guest vocalists).

 Here

Allumage générateur de bruit analogique

(Purgate is the solo work of Frederic Arbour, one half of Industrial Techno duo Stärker and also works under the name Visions, creating Deep Ambient Atmospherics. As Purgate, Arbour explores purely analog circuitry through dense layers of treated modular systems and sparse, pulsing rhythmic structures. Monolithic, abrasive and atmospheric, he exerts the elemental properties of sound and the textural possibilities of signal processing as an exploration of the inherent forces, and physicality, of sound).

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Albträume im Lärm

(Offensive:winter is a German industrial techno project, led by DJ and producer, Sadistico. The project offers up an extreme sonic soundscape ranging from aggressively over driven and heavily distorted technoid beats to punishing, brutal harsh noise assaults).

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Drinking corrosive blood

(W.A.S.T.E. is an Industial/Rhythmic Noise duo band hailing from San Diego, CA, formed in 2003 by Shane Englefield and Tyler Viscerine. W.A.S.T.E. is an acronym for "We All Seek Total Entropy")

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Blessed with secrets

(ESA was born in 2002 in order to cross the threshold from one genre of extreme music to another. Engineer of this electronic inferno, Jamie Blacker, up until this point had been writing music semi-professionally for years in the UK Black / Death metal circle, touring and recording alongside some of the genres elite.

Having decided to experiment in dark electronics, ESA’s heavy, rhythmic style has since become rooted at the forefront of the harsh industrial / power electronics scene, predominantly owing to slews of powerful and engaging live shows all over the globe and 7 well received, critically acclaimed albums.

Taking influences initially from rhythmical noise acts, Blacker’s sound structures have developed and integrated countless influences from the broad spectrum of alternative and extreme music. The tone of ESA is harsh and oppressive, dripping with destructive and corroded grooves whilst still emanating deep melody and a strong sense of spirituality. ESA’s compositions are undoubtedly threatening and offensive floor stomping club tunes but also twist and churn enough to reward more attentive listening). 

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Crushing a noisewall

(Mono No Aware is the solo rhythmic noise project leaded by german musician Leif Künzel).

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Umwelt durch Lärmbelästigung gesättigt

(<1979> is a german rhythmic noise/industrial project leaded by Christian Bergmann).

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Death blowing machines surrounding humans

(Greyhound is Steffen Lehmann, a German rhythmic noise/industrial noise-generator artist).

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