Mélodies pour le sommeil éternel

 

(Kiosque D'Orphée (Une Epopée De L'Autoproduction En France - 1973/1991) is an Electronic/Abstract French compilation made by French record label Born Bad).

 

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Spending the night in abandoned cemeteries

 

(Ensemble Economique is an Experimental/Drone/Abstract project from Manila, UT, leaded by musician and mastering/mixing engineer Brian Pyle).

 

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An unpleasant Uber experience

 

(Gazelle Twin is the stage name of Elizabeth Bernholz, a British composer, producer and musician from Brighton, England. Walling conceived the project when she watched Fever Ray perform at the 2009 Loop Festival. She noted how "her show reminded me how powerful and liberating costume is, and I became interested in the power of disguise").

 

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Breathing in the warm outback winds

 

(HTRK (to be pronounced as 'HateRock"), began performing in 2003 as a duo consisting of Sean Stewart and Nigel Yang, both ex-members of Portraits of Hugo Perez. Later adding vocalist Jonnine Standish, the group took on a more haunting sound; citing such major influences as the electronic music label Mego, The Birthday Party, Krautrock, David Lynch and Suicide, HTRK combined highly textured guitar noise with groove-laden basslines and profound drum machine patterns).

 

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In memory of wind softness

 

(Hailing from Birmingham, UK, Broadcast, formed of Trish Keenan (vocals), Roj Stevens (keyboards), James Cargill (bass), Tim Felton (guitar) and Steve Perkins (drums); Broadcast’s intimate experimental pop is fuelled with references to the work of the seminal BBC Radiophonic Workshop, Ennio Morricone or John Barry. Often associated with Stereolab in the early days, the sound of the band has developed considerably. Unfortunately, lead singer Trish Keenan died of pneumonia on 14 January 2011 at the age of 42).

 

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Swimming into a glass sea

 

(Seefeel are a British post-rock band formed in the early 1990s by Mark Clifford (guitar, sequencing), Daren Seymour (bass), Justin Fletcher (drums), and Sarah Peacock (vocals and guitar). Bridging the guitar-based dream pop and shoegaze scenes with the production techniques of ambient techno and electronica).

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Crossing the thresholds of madness

 

(Ensemble Economique is an Experimental/Drone/Abstract project from Manila, UT, leaded by musician and mastering/mixing engineer Brian Pyle).

 

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Нарушения в плотном замкнутом пространстве

 

(Côte Déserte is a Russian Dark Jazz/Avant Garde project from Saint Petersburg, formed by Maxim V. Komov and Philip Croaton).

 

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Abstractions into the void

 

(Ensemble Economique is an Experimental/Drone/Abstract project from Manila, UT, leaded by musician and mastering/mixing engineer Brian Pyle).

 

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On the edge of possible worlds

 

(Ensemble Economique is an Experimental/Drone/Abstract project from Manila, UT, leaded by musician and mastering/mixing engineer Brian Pyle).

 

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Admiring the shadows of consciousness

 

(Ensemble Economique is an Experimental/Drone/Abstract project from Manila, UT, leaded by musician and mastering/mixing engineer Brian Pyle).

 

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Meet the Evil in flesh

 

(Bobby Beausoleil  (Santa Barbara, CA, 1947) is a composer and musician, associate of Charles Manson and members of his communal Manson Family. He was convicted and sentenced to death for the July 27, 1969, fatal stabbing of Gary Hinman, who had befriended him and other Manson associates. Beausoleil was later granted commutation to a lesser sentence of life imprisonment, after the Supreme Court of California issued a ruling that invalidated all death sentences issued in California prior to 1972. During his incarceration in the California state prison system, Beausoleil has recorded and released music. He has also worked on visual art, instrument design, and media technology.

Incarcerated for most of his adult life, Beausoleil has nonetheless produced a significant body of musical recordings, visual art, and writings. Among his most notable works is the soundtrack for Lucifer Rising, an indie-underground film by Kenneth Anger, paired with a prog-rock symphony for a fallen angel's mythical journey. To perform and record his score from prison, Beausoleil assembled The Magick Powerhouse of Oz band).

 

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In the brightness of the night

 

(Ghostwoods is a Dark Ambient/Drone/Experimental group from Brisbane, Queensland, Australia, formed by Andrew Saragossi, James Lees, Karl O'Shea, Mark Angel and Rohan Seekers).

 

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Obesances i dywyllwch llwyr

 

(Lustmord - The Others [Lustmord Deconstructed] is a Dartk Ambient/Abstract Tribute compilation made by German label Pelagic Records).

 

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Auf Tour durch die Welt der verlorenen Illusionen

 

(Rdeča Raketa is an Experimental/Contemporary/Avant Garde duo from Wien, Austria, formed by  Maja Osojnik and Matija Schellander).

 

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Centrum uzdrawiania zdrowia psychicznego

 

(Lech Jankowski (1956) is a Polish composer of theater and film music, painter, director of original performances combining music, visual arts and theatre and cultural anthropologist. Jankowski is well known in music for Institute Benjamenta, or This Dream People Call Human Life (1995), Chce mi sie wyc (1989) and Teatr Telewizji (1953)).

 

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Trommels van de eeuwigheid

 

(Het Zweet was a Dutch one man project leaded by Marien Van Oers, active from 1983 to about 1988. The music consisted of long percussion pieces played on self built instruments (shopping trolleys amplified with pickups, blown cardboard tubes etc.) with repetitive shouted vocals by Marien. The music was often placed in the industrial camp and linked with the likes of Test Dept. but in fact Het Zweet were more concerned with ‘tribal’ music, physicality and trance effects like Z'EV. During concerts he often performed together with other players. Marien Van Oers passed away on 8 January 2013). 

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Last sounds in life

 

(Coil was a pioneer band formed in London in 1983 by John Balance as a solo side project to Psychic TV, Coil developed into a full-scale musical group in 1984, when Balance cemented a partnership with Peter 'Sleazy' Christopherson. Christopherson had been a founder of Psychic TV and member of Throbbing Gristle. For over twenty years Coil would be at the forefront of European experimentalism and electronic music. 

John Balance (1962-2004) died tragically in an accident at his home on November 13th, 2004. Peter Christopherson decided that, with the passing of John Balance, Coil would not continue. Peter Martin Christopherson died 24 November 2010).

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Nejezte ovoce z vesmíru

 

(Zdeněk Liška (1922 - 1983) was a Czech composer; he produced a large of number film scores across a prolific career that started in the 1950s. He was revelatory in his contribution to the development of electronic music. His music in this field is noticeable and dramatic, based on a unique musical feeling achieved through using quite unusual instrumental combinations and various electronic and electroacoustic techniques.

Liška worked notably with animator Jan Švankmajer, scoring several of his earlier short films: Punch and Judy (1966), Et Cetera (1966), Historia Naturae (Suita) (1967), The Flat (1968), Don Juan (1969), The Ossuary (1970), Jabberwocky (1971), and Leonardo's Diary (1972), and later The Castle of Otranto (1979). Liška's music for Švankmajer's Historia Naturae (Suita), The Flat, and The Ossuary was also featured in the 1984 short film by American animators the Brothers Quay entitled The Cabinet of Jan Švankmajer.

He also created a great number of iconic scores for important live-action films of the Czech New Wave including The Shop on Main Street, Marketa Lazarová, The Valley of the Bees, Fruit of Paradise, The Cremator and Ikarie XB-1).

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A world in empty words

 

(JK Flesh is an Illbient/Electronic/Noise project/alias of Justin Broadrick of Godflesh, Final and Jesu. An industrial point of view about scorn-like pathways). 

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