L'art de sculpter avec des mots

 

(Heimat is a French Experimental/Electronic duo formed by Olivier Demeaux (Cheveu, Accident du Travail) and Armelle Oberlé (The Dreams, Badaboom); sometimes very martial like a marching music, sometimes very lyrical, the Heimat's musics are going deeper in these weirdo landscapes, using cinematographic scores and samples over layers of urban cultures, in order to open the gates of the dreamy gazes and the shadowy stories).

 

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Mélodies pour le sommeil éternel

 

(Kiosque D'Orphée (Une Epopée De L'Autoproduction En France - 1973/1991) is an Electronic/Abstract French compilation made by French record label Born Bad).

 

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Martyrs exuding pain through eternity

 

(Coil was a pioneer band formed in London in 1983 by John Balance as a solo side project to Psychic TV, Coil developed into a full-scale musical group in 1984, when Balance cemented a partnership with Peter 'Sleazy' Christopherson. Christopherson had been a founder of Psychic TV and member of Throbbing Gristle. For over twenty years Coil would be at the forefront of European experimentalism and electronic music.

 

John Balance (1962–2004) died tragically in an accident at his home on November 13th, 2004. Peter Christopherson decided that, with the passing of John Balance, Coil would not continue. Peter Martin Christopherson died 24 November 2010).

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Dansant sur des champs de sang

 

(Heimat is a French Experimental/Electronic duo formed by Olivier Demeaux (Cheveu, Accident du Travail) and Armelle Oberlé (The Dreams, Badaboom); sometimes very martial like a marching music, sometimes very lyrical, the Heimat's musics are going deeper in these weirdo landscapes, using cinematographic scores and samples over layers of urban cultures, in order to open the gates of the dreamy gazes and the shadowy stories).

 

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Admirer la nostalgie de l'automne

 

(Heimat is a French Experimental/Electronic duo formed by Olivier Demeaux (Cheveu, Accident du Travail) and Armelle Oberlé (The Dreams, Badaboom); sometimes very martial like a marching music, sometimes very lyrical, the Heimat's musics are going deeper in these weirdo landscapes, using cinematographic scores and samples over layers of urban cultures, in order to open the gates of the dreamy gazes and the shadowy stories).

 

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An unpleasant Uber experience

 

(Gazelle Twin is the stage name of Elizabeth Bernholz, a British composer, producer and musician from Brighton, England. Walling conceived the project when she watched Fever Ray perform at the 2009 Loop Festival. She noted how "her show reminded me how powerful and liberating costume is, and I became interested in the power of disguise").

 

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In memory of wind softness

 

(Hailing from Birmingham, UK, Broadcast, formed of Trish Keenan (vocals), Roj Stevens (keyboards), James Cargill (bass), Tim Felton (guitar) and Steve Perkins (drums); Broadcast’s intimate experimental pop is fuelled with references to the work of the seminal BBC Radiophonic Workshop, Ennio Morricone or John Barry. Often associated with Stereolab in the early days, the sound of the band has developed considerably. Unfortunately, lead singer Trish Keenan died of pneumonia on 14 January 2011 at the age of 42).

 

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The renewal of life underground

 

(Detritus is an English Drone/Experimental/Modern Classical/Electronic project leaded by David Dando-Moore).

 

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Swimming into a glass sea

 

(Seefeel are a British post-rock band formed in the early 1990s by Mark Clifford (guitar, sequencing), Daren Seymour (bass), Justin Fletcher (drums), and Sarah Peacock (vocals and guitar). Bridging the guitar-based dream pop and shoegaze scenes with the production techniques of ambient techno and electronica).

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Eternal flesh suffering

 

(Coil was an English pioneer band formed in London in 1983 by John Balance as a solo side project to Psychic TV, Coil developed into a full-scale musical group in 1984, when Balance cemented a partnership with Peter 'Sleazy' Christopherson. Christopherson had been a founder of Psychic TV and member of Throbbing Gristle. For over twenty years Coil would be at the forefront of European experimentalism and electronic music.

 

John Balance (1962-2004) died tragically in an accident at his home on November 13th, 2004. Peter Christopherson decided that, with the passing of John Balance, Coil would not continue. Peter Martin Christopherson died 24 November 2010).

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Legalizing abuse of power

 

(Max Richter is a German-born British composer, born 22 March 1966 in Hameln, Germany. He co-founded the contemporary classical ensemble Piano Circus, with which he stayed for ten years, he has worked with, among many others, Roni Size and Future Sound of London. Owner of Studio Richter Mahr).

 

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Breezes of remote kingdoms

 

(Carla dal Forno is an Australian singer, songwriter and multi-instrumentalist; she is a member of the groups F ingers and Tarcar, and formerly cult Melbourne outfit Mole House).

 

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Ursprunget till sorg

 

(Six Fingered People is an Electronic/Dark Jazz crossover project from Sweden formed by Daniel Rehn Lomberg and Kim Bernhammar).

 

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Being part of the eternal cycles

 

(Coil was a pioneer band formed in London in 1983 by John Balance as a solo side project to Psychic TV, Coil developed into a full-scale musical group in 1984, when Balance cemented a partnership with Peter 'Sleazy' Christopherson. Christopherson had been a founder of Psychic TV and member of Throbbing Gristle. For over twenty years Coil would be at the forefront of European experimentalism and electronic music.

John Balance (1962–2004) died tragically in an accident at his home on November 13th, 2004. Peter Christopherson decided that, with the passing of John Balance, Coil would not continue. Peter Martin Christopherson died 24 November 2010).

 

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Songs that emerge from monoliths

 

(Veil is an Electronic/Dark Ambient one man project from Wiltshire, UK, leaded by Oliver Ho; the album is a bold move into an intense and cinematic world involving sound design, avant-garde classical instrumentation and experimental electronics).

 

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Livnär sig på mörk materia

 

(Six Fingered People is an Electronic/Dark Jazz crossover project from Sweden formed by Daniel Rehn Lomberg and Kim Bernhammar).

 

L

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Gaida pēdējās dienas

 

(19 Gadi Pirms Sākuma is an Electronic/Ambient/Experimental band from Latvia, formed by Ingūna Černova (voice, bassoon, flute, ideas and lyrics), Daiga Mazvērsīte (synthesizers, voice), Ilgvars Rišķis (rhythm programming, guitar, bass, shouts) and Viesturs Slava (synthesizers, guitar, voice, sound.

 

Created with the idea of lasting for a single performance, tha band developed into one of the most delicate, intriguing groups in Latvia’s 1980s and early 1990s music scene. Formed in 1988, the band arrived at a time when the Soviet Union was showing the first signs of unravelling. Latvia remained an occupied country, but experimental audio and visual events organised by a generation of young artists started to challenge the boundaries of what could be allowed).

 

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Racconti dalla terra rossa

 

(His Electro Blue Voice is an Italian band formed in 2013 by Andrea Napoli, Claudia Manili andFrancesco Mariani; derivatives of art post-punk, hip hop, krautrock, house, noise, psychedelia, rave flavours, hyperpop, played instruments, cut samples and dozens of treated voices are just some of the elements that mix, suggest and create new prototypes. Vocal and textual decompositions in AI style but with reversed roles).

 

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Crollo mentale prolungato nel tempo

 

(Thee Maldoror Kollective is an Italian band from Turin, Piedmont. The project started in 1991 as a Black Metal band called Funeral Fog, then changed name to Maldoror in 1997 and finally in Thee Maldoror Kollective in 2001; since the last name change they evolved in an Industrial/Avant-garde sound).

 

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Photonic particles decaying in a vacuum

 

(Sweeney is a one man project leaded by Australian musician and composer Jason Sweeney; For about twenty years Jason Sweeney has been composing and recording either solo, under the alias of Panoptique Electrical, Other People’s Children and Simpático, or with friends in various musical projects like Pretty Boy Crossover, Sweet William, School of Two, Luxury Gap, Par Avion, Great Panoptique Winter, Mist & Sea, Winter Witches, GIRL and many others. He has also been directing and creating interactive works for the internet, experimental films, projects for galleries and theatre spaces and has collaborated with some of Australia’s leading performing arts companies and organizations. 

 

The music of  Sweeney is constructed around fragile vocals, layers of string section drones, slightly processed piano, cinematic cello samples performed and recorded by his frequent collaborators Zoë Barry and Jed Palmer respectively, minimal beats, subtle electronic glitches, other odd noises and field recordings).

 

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