Красиво, но мертво

 

(IC3PEAK are Nick Kostylev and Nastya Kreslina, both audiovisual artists based in Moscow (Russia). They create not music only but all the visual stuff also (photography, vj-ing, music videos, cover art & merch). Their music is a natural synthesis of analog and digital sound, deep bass, icy and sharp vocal and wailing of DIY synth in the background, while the visual part is full of noise and sugary glitch mixed with realistic and smooth minimalism).

 

 

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Illuminated by black lights

 

(Bowery Electric is a Indie Rock/Shoegaze band founded in New York in 1994, formed by Lawrence Chandler and Martha Schwendener).

 

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النبوءة تأتي مع المطر

 

(Raed Yassin (Beirut, 1979) is a Lebanese video, sound and visual artist, also works as a musician: (double bass, tapes and electronics), and a part-time curator. Graduated from the Theatre Department in the Lebanese University in Beirut, he works with image, music, text and concept. His work based on themes related to the media, the city, the history of contemporary art, arabic cinema, pornography, pop culture, disasters, and archives. Currently he lives and works in Amsterdam).

 

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Poems on madhouse walls

 

(Petbrick is a Noise/Industrial project by Iggor Cavalera (Mixhell, Cavalera Conspiracy, Soulwax, Sepultura) and Wayne Adams (Big Lad, Death Pedals, Johnny Broke)).

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Bevendo gli effluvi degli inferi

 

(Ovo are an Italian Avant Garde/Noise Rock/Experimental band based in Ravenna, formed in 2000 by Stefania Pedretti and Bruno Dorella).

 

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Ar feadh oíche gan ghealach

 

(Hilary Woods is an Irish music and visual artist from Dublin's Northside. Former bass player in JJ72 from 1996 until 2003, now releasing work as a solo artist; after a spell in fine art school and having studied literature and film in college, she returned to music.

 

Woods' solo albums have a gentle, ambient folk sound with "nocturnal keyboard-based songs". Her musical inspiration comes from filmmakers, electronic artists, experimental noise, and Irish folk music traditions).

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